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What do you do when you hear the ice cream truck coming down your block?You dash for your spare change and run out the door to catch it, right?I can say, and you mentioned the primary colors of the musical notes in a previous question, that that got my mind rolling and gave me a sense of the look the book should and could have.They aren't really colors you'd instantly link to horror, so straight away that's an interesting take or approach to go from.

Or, I dunno, maybe all of these things just live in a kind of harmonic order—the cheery, joy-bringing stuff, and the unfortunate sorrowful stuff, all as one.

(Just like you mix the three primary colors—blue, red, and yellow—into vivid greens and purples and oranges.) MATTER: Martín, can you tell us a bit about character design for the stories within ICE CREAM MAN? Did you design his look, or was it all in the script?

Since there’s a different cast of characters in each issue, how do you ground the reader when everyone inside the world is changing?

But I think you need some sort of glue or connective tissue to justify doing a book like that as a monthly comic.

So I kept writing, and eventually the chapters started to coalesce in my dumb head around a central storyteller, who slowly came to reveal himself to me as a peddler of ice cream..may or may not be god, the devil, or something else entirely.

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